Unison Colour welcomes Cathy Pearce as an Associate Artist

Pastels are my passion with which I indulge my love for colour. They offer the greatest versatility and immediacy in my painting practice.

When I am not working on a collection of landscapes then I am using my garden as inspiration. I love to paint and observe the world around me on a daily basis to build up greater understanding of it. I do not put a label on my style. It is constantly developing as I broaden my painting knowledge and experience.

I run workshops in pastel techniques, landscapes and still life.

Blog posts relating to Cathy Pearce

Cathy Pearce 1

Colour

Colour is the element of my work which is remarked upon most of all. In fact I have many followers who tell me that they look out for my new posts as they find my joyful use of colour so up-lifting.

Cathy Pearce 2

#thepastel8 Visit to Thorneyburn

A fabulous day was spent at Thorneyburn last Friday in the company of Fiona Carvell, Michelle Lucking, Nina Squire, Cathy Pierce, Lynn Howarth, Meral Altilar, Lucy Brangwin and Rebecca de Mendonça.

Cathy Pearce 4

Dexterity and Mark Making

How we use and hold our pastels will determine what amazing marks we will make. Eventually, with practice and discovery through play, this will create our style.

Cathy Pearce 6

Breaking Pastels

Who would believe what possibilities and potential lie inside these neatly wrapped lozenges of colour? They are essentially chunks of pure dry pigment, more intense in colour than any tube of paint.

Cathy Pearce 7

Announcing New Associate Artists!

In May we held a recruitment exercise for new Associate Artists and we were overwhelmed with the number of applications. So much so we will have 2 groups of new artists. Our 2nd group will be announced in August 2020.

Cathy Pearce 8

Gold Splashes Through the Dark Oaks

With a grin I sometimes introduce myself as the mad lady who paints the hill. Roundway Hill near Devizes in Wiltshire and the surrounding fields are my subject as I love to observe them every day.

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