Achieving Enlightenment
For a painting to work effectively, it should include a range of values as well as a variety of warm and cool colors. In addition, color harmony will be more successfully achieved when utilizing a limited palette.
Unison Colour Associate Artist
Tracey Maras is best known for her realistic pastel paintings of the natural world around us and life interacting with it. Working with pure pigment, her pieces are vibrant yet intimate views of Central Illinois and beyond.
Her work is found in collections throughout America, including Historical Societies, Corporations, and the International Carillon Festival, and has been featured in the Abraham Lincoln Presidential Museum, Illinois State Museum, and the Springfield African American History Museum.
She is a juried member of the Pastel Society of America, Illinois Prairie Pastel Society and founding member of the Heartland Art Club. Her award-winning paintings have been featured in the Pastel Journal and the International Association of Pastel Societies.
“Since discovering pastels in 2000, my work has spanned many themes including wildlife, landscapes and portraits. My insatiable desire to learn drives my work, continually leading to new inspiration. I strive to push the limits of the pastel medium, exploring and experimenting with new techniques in each work. In addition to pastels, my other passion is teaching workshops and weekly classes, sharing what I have learned.
My introduction to Unison Colour Pastels began with a cherished gift. A hole was left in my heart with the passing of a dear friend and fellow pastellist. And I was brought to tears when her husband presented to me her set of 120 Unisons. With every Unison pastel that I pick up, I remember her smile and laughter and my heart is warmed.”
For a painting to work effectively, it should include a range of values as well as a variety of warm and cool colors. In addition, color harmony will be more successfully achieved when utilizing a limited palette.
Your handwriting is as unique and distinct as you are. Regardless of how we were taught to write, we each develop our own style. Immediately recognizable to those who know us.
The sky is filled with the dance of so many colors. You quickly snap some photos to capture the moment, thinking to yourself about how you are going to create a painting to memorialize this moment.
Sometimes I just don’t want to use what nature gives. Sometimes I just don’t want to use local color. Don’t get me wrong. The world is filled with infinite beauty and inspiration. But sometimes I just don’t want to paint a blue sky and green leaves.
Do you like surprises? Do you embrace moments of serendipity and happy accidents? “Confetti Pastels” can add to your excitement.
The question that every artist hears at some point is “How long did it take you to paint this?”. It can be a very complex question to answer. Is the inquiry to determine the financial value of the piece? Does the answer somehow determine the quality of the painting?
Since many of my paintings incorporate wildlife, I must frequently rely on quickly taken photos to capture the moment.
Inspiration can come from anywhere and at any time. But rarely does our source of inspiration provide us with perfection.
It happens. You are comfortable with painting. Yes, you know you have room for improvement and growth. But you enjoy painting. And then you get lost.
While some may have curio cabinets filled with nick-nacks, I have rocks. Smooth rocks, rough rocks, satiny, shiny, sparkly, large rocks, small rocks, really, really small rocks, if it is a rock, I am intrigued by it.
Over the years, I have learned that there are infinite ways in which pastels can be manipulated as a drawing and painting medium. Examples range
No matter how I tried, my conifers always looked flat and uninspired, not unlike a green frosted sugar cookie.
Got a question?
Or give us a call on +44 (0)1434 240203 and choose option 1, for Liz.
For trade enquiries, please contact us as below:
liz@unisoncolour.com or call Liz on +44 (0)1434 240203 Option 1