Bring your Still Life to Life with Cathy Pearce’s 12 Month Still Life Pastel Academy Course

Master Still Life with Cathy Pearce in this huge course over on Pastel Academy. Above is a taster of the brilliant tuition from Cathy.

My aim is to break down the huge genre of still life into little chunks that you can practice and perfect each month. By month 12 you will easily compose your own still life and paint it with confidence in pastel. Still life is the perfect excuse for observational work… essential practice to improve your art skills generally and you will always have a subject to inspire you.

Cathy Pearce

You can enjoy this and dozens of other pastel courses over at the Pastel Academy for £19.99/month and you can get your first month for just £1.

Colour

Colour is the element of my work which is remarked upon most of all. In fact I have many followers who tell me that they look out for my new posts as they find my joyful use of colour so up-lifting.

#thepastel8 Visit to Thorneyburn

A fabulous day was spent at Thorneyburn last Friday in the company of Fiona Carvell, Michelle Lucking, Nina Squire, Cathy Pierce, Lynn Howarth, Meral Altilar, Lucy Brangwin and Rebecca de Mendonça.

My Heart Leaps Up When I Behold A Rainbow In The Sky

The first difficulty in depicting a rainbow in pastel is not the rainbow itself but rather the treatment of the pastel dust in the underlying layers so that the beauty of the rainbow’s colours sit resplendent on top.

Dexterity and Mark Making

How we use and hold our pastels will determine what amazing marks we will make. Eventually, with practice and discovery through play, this will create our style.

Try The Pastel Academy For Free!

To celebrate 1 year of the Pastel Academy we’re giving you the opportunity to try our courses completely for free – no card details required!

Associate Artist Recruitment

Are you a pastel artist? Do you use Unison Colour pastels? Would you like to be part of our Associate Artist family?

Breaking Pastels

Who would believe what possibilities and potential lie inside these neatly wrapped lozenges of colour? They are essentially chunks of pure dry pigment, more intense in colour than any tube of paint.

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