Delve into our vast collection of guest blogs and read about the intriguing methods that artists apply while using Unison Colour pastels.
Colour is the element of my work which is remarked upon most of all. In fact I have many followers who tell me that they look out for my new posts as they find my joyful use of colour so up-lifting.
One of the great joys of being an artist is the freedom to express yourself in any way you see fit – every unworked piece of pastel paper is a blank page ready for you to write your visual poetry on.
The Summer Exhibition, held at the Royal Academy at Piccadilly in London, is the world’s oldest open submission exhibition – which means that anyone can enter their work to be considered for inclusion…
I’ve found the best advice is to keep it simple. I am lucky enough to live in Dorset which is full of inspirational views. There are so many views and places that it can often be overwhelming.
I took the plunge in 2022 and did my first art fair with over 100 artists, at Goodwood Racecourse. It felt like a big leap as previously I had only done small local craft/art events as being an introvert I find ‘putting myself out there’ a scary experience.
The question that every artist hears at some point is “How long did it take you to paint this?”. It can be a very complex question to answer. Is the inquiry to determine the financial value of the piece? Does the answer somehow determine the quality of the painting?
In today’s “Interview with an Associate Artist” we’ll be chatting to Tricia Findlay. Tricia exhibited at the Tate when she was 15 but left the world of art for a number of years before setting up her own award-winning interior design studio.
Using a photograph as part of our process in creating an artwork has been around for centuries, whether as a reference or a projection onto canvas.
We all say “I just want to paint” but handling the business end of your artistic pursuits can be just as critical as the creative and artistic pursuits.
In today’s “Interview with an Associate Artist” we’ll be chatting to Rebecca de Mendonça. Rebecca has enjoyed a varied career in the arts.
In the first “Interview with an Associate Artist” Steve will be chatting to Lyn Asselta. Based in Maine, US, Lyn is particularly known for her evocative, textural landscapes.
Painting ‘En Plein Air’ can be a little daunting at times, especially if you’ve never done it before, so let me put your mind at ease and hopefully provide you with the motivation to go painting ‘En Plein Air’
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