Isn’t it exciting when you stumble onto something that is totally new? That is what happened when a colleague and I were developing a series of workshops on creative underpaintings for pastel. While experimenting and asking “what if?” the technique of “Floating Pastel” was created.
An underpainting can make a painting even stronger. It can provide a value roadmap, foster a more dramatic colour scheme, instil colour harmony or add textural interest. With “Floating Pastel,” I discovered that it could provide all of these elements as well as adding a sense of depth and dimension to my paintings.
Having experimented with a variety of papers, I have found that this technique works best with UART because of its ability to handle liquid mediums. After taping down the paper, I lightly apply pastel (single colour or a few colours, 2 or 3 maximum).
Once dry, and working on a flat table, I brush a light glazing of water across the paper. Using a drywall sanding mesh, I grind a fine layer of pastel dust (Nupastel or Rembrandt) onto the sheen of water. (I wear a dust mask and work in a room that is well-ventilated.)
This 2×3 ft. painting was completed on UART 500 using Unison pastels.
This technique has helped me become more painterly in my approach as I have to incorporate the surprise of colour and texture that results from the underpainting process. While first utilising it in floral paintings because of its ability to give the flower petals a translucent appearance, I have since used this technique for landscapes and wildlife subjects. It is exciting to think of all of the possibilities, just by asking “what if?”