What if?

Isn’t it exciting when you stumble onto something that is totally new?  That is what happened when a colleague and I were developing a series of workshops on creative underpaintings for pastel.  While experimenting and asking “what if?” the technique of “Floating Pastel” was created.

An underpainting can make a painting even stronger.  It can provide a value roadmap, foster a more dramatic colour scheme, instil colour harmony or add textural interest.  With “Floating Pastel,” I discovered that it could provide all of these elements as well as adding a sense of depth and dimension to my paintings.

Having experimented with a variety of papers, I have found that this technique works best with UART because of its ability to handle liquid mediums.  After taping down the paper, I lightly apply pastel (single colour or a few colours, 2 or 3 maximum).

What if? 1
The pastel is then liquefied with Isopropyl Alcohol and brushed onto the paper.

Once dry, and working on a flat table, I brush a light glazing of water across the paper. Using a drywall sanding mesh, I grind a fine layer of pastel dust (Nupastel or Rembrandt) onto the sheen of water. (I wear a dust mask and work in a room that is well-ventilated.)

What if? 2
Two or three analogous colours work well when applying the “floating” pastel dust.​
What if? 3
While the surface is still wet, I take an eye dropper and drop 91% Isopropyl Alcohol across the surface, which repels the floating pastel dust, creating a colourful, abstracted underpainting.​
What if? 4
Once dry, I proceed with applying pastel as I would with any painting. The flowers begin by painting the negative space of the background while laying in darkest colour values.​
What if? 5
I then progress to the mid-values…
What if? 6
…and the light values.
What if? 7
Throughout this process, I choose how much of the abstracted underpainting will show through.  The final details are added to complete “Stephanie’s Surprise”.

This 2×3 ft. painting was completed on UART 500 using Unison pastels.

This technique has helped me become more painterly in my approach as I have to incorporate the surprise of colour and texture that results from the underpainting process.  While first utilising it in floral paintings because of its ability to give the flower petals a translucent appearance, I have since used this technique for landscapes and wildlife subjects.  It is exciting to think of all of the possibilities, just by asking “what if?”

Read the sequel to this blog – What if? Part II, here.

An Artist’s Handwriting

Your handwriting is as unique and distinct as you are. Regardless of how we were taught to write, we each develop our own style. Immediately recognizable to those who know us.

A blog from artist, Tracey Maras.

I Don’t Remember It Looking Like That

The sky is filled with the dance of so many colors.  You quickly snap some photos to capture the moment, thinking to yourself about how you are going to create a painting to memorialize this moment.

A blog from Tracey Maras.

When Local Color Isn’t Enough

Sometimes I just don’t want to use what nature gives.  Sometimes I just don’t want to use local color.  Don’t get me wrong.  The world is filled with infinite beauty and inspiration.  But sometimes I just don’t want to paint a blue sky and green leaves.

Confetti Pastels

Do you like surprises?  Do you embrace moments of serendipity and happy accidents?  “Confetti Pastels” can add to your excitement.

How long did it take?

The question that every artist hears at some point is “How long did it take you to paint this?”.  It can be a very complex question to answer.  Is the inquiry to determine the financial value of the piece?  Does the answer somehow determine the quality of the painting?

Inspiration & Transformation

Inspiration can come from anywhere and at any time.  But rarely does our source of inspiration provide us with perfection.

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