Introduction To Soft Pastels
Beginners Soft Pastel Tips from Rebecca de Mendonça. If you’re new to soft pastels or have always wanted to try, this free PDF guide will help you Get Started.
This colourful guide covers all the basics, including what surface to work on, how to set up your workspace and how to clean and look after your pastels.
Rebecca then shows you how versatile soft pastels can be, helping you to master various techniques like Smudging, Hatching and Twisting.
Inspired by Our Land
Exhibition
9th Dec - 28th Jan
The Sill National Landscape Discovery Museum
with Pastel Paintings of Northumberland, from Associate Artists…
- Fiona Carvell
- & Stuart Walton
Artist Set
'This set is designed for those wanting to steer their work out of the monochrome and into colour. It will help you see more values in your highlights, midtones and shadows. Combined with your existing collection this set will ensure you have the right shades and tints for every lighting.'​
Blendable
Because we use the best ingredients, our pastels have superior blending capabilities, used wet or dry.
Soft and Smooth
With careful use of binder, our pastels are often described as 'smooth as butter' and need no encouragement to leave their mark.
Highly Pigmented​
We use a high percentage of traditional pigments for the deepest colouration.
Lightfast
Colour that stands the test of time.
Handmade
Made, labelled and packed completely by hand. No extrusion.
Colourful Chronicles
Renoir, the Pandemic and Unison Colour Pastels
Working on this image for so many hours made me realise what an amazing master Renoir was.
Inspired by Our Land Exhibition
At The Sill: National Landscape Discovery Centre, Northumberland National Park with Unison Colour Ltd. On 8th December the ‘Inspired by Our Land’ Exhibition opens at
I bought the complete set of Unison Colour pastels (and I don’t feel guilty anymore)
I had been dreaming of this set since I first tried a Unison pastel, 4 years ago.
Painting from Life – Exploring your Garden, the plants and the light
It is so easy to get into the habit of painting from 2D reference particularly when the weather isn’t good and forget that looking at the world in 3D is essential.