Our Story

  • John hersey sifting pigment

    The Beginning

    John Hersey was born in 1925. He was a student at the Byam Shaw School of art in London where he won a Rome Scholarship and lived in Italy for several years.

    On returning to the UK he ran his own business ‘Fine Art Photography’ while continuing with his own work. Over the years he became more and more interested in, and passionate about, colour.

    Following many years of not finding a pastel he was happy with, John decided to make his own.  After years of experimenting, the soft pastels that you know and love today, were created and Unison Colour was born.

  • Red pigment in a bowl

    Colour Vision

    Manufactured pastels available on the market broke easily, were not consistent in texture and did not mirror our requirments for the perfect pastel.

    For several years John worked on methods of production, colour sequences and the texture of his pigment mixtures.

    In 1987 he decided to offer the results to fellow pastellists. John and his wife Kate took the original range of colour sets (then just 117 pastels!), and the kitchen dresser, to an art materials show in London. To their surprise there was an immediate interest.

  • Open box of Red 1-18 Soft Pastel Set.

    Signs of Growth

    To start with, the pastels were all made in the coach house at Thorneyburn in the Northumberland National Park. This served as a great base from which to grow. 

    It allowed time to refine the pastels, develop new lines and increase the pastel base from 117 to 380 pastel colours.

    As the years progressed, sales grew nationally and the Unison Colour brand continued to grow and be recognised by artists as the preferred pastel of choice.

  • Unison colour logo vertical

    International Recognition

    Eventually, sales expanded into Europe. USA, Canada, and Australia followed a few years later.

    The Unison Colour brand developed worldwide recognition. It became the gold standard of soft pastels and cemented the brand amongst the art community.

  • 7h4a1187 kopieby loes botman
    Regina hona profile photo sq
    Portrait photo of Tara at her easel.
    Profile photo of arild frisnes
    Pastel painting by Mridula Masi
    Tricia findlay profile image
    Gareth jones
    The finished painting of Enchanted Evening, by Susan Klabak.
    Julia dubinina associate artist

    Working with Artists

    The quality of our pastels attracted the attention of an array of artists, many of whom run workshops which highlight the benefits of using our pastels over alternatives. 

    We have developed a long standing partnership with those artists who help promote our products and help fine tune our recipes to make them the very best in the world.

    In 2017 we launched our Associate Artist Programme. The programme continues to grow and now contains over 200 artists from around the world. 

"With all the obvious limitations, the sets are constructed so they can been seen as separate colours, or as a movement around a centre and as a unity, a unison, their differences dissolved. That is what these colours are about, to help realise beauty."

John Hersey

John Hersey in his studio experimenting with colours.

Find out more

What makes Unison Colour Soft Pastels so special?

Now you know our history, what do you know about our process?

Why Unison Colour?Shop Online
  • Blendable

  • Lightfast

  • Mixed Media

  • Soft and Smooth

  • Highly Pigmented

  • Flexible

  • White dollops in colour sml screen
  • Red pigment in a bowl
  • Orange and violet pigment

Colour Chart Guidance

We believe the colours in our web based colour chart are a faithful representation of our pastel range. But with any colours portrayed on the internet, there’s a whole heap of variables which mean that what you see, may not be what we see. That said, there’s some things that can be done to mitigate some of the variance.

Mobile phone and tablet screens tend to be pretty good for colour, so they’re always worth using, when viewing our colour chart.

We hate to say it, but cheaper computer displays, including laptops, can be rather hit and miss, in both colour and contrast, so they might not reveal the depth of the colour, as well as the true tone.

If you’re really keen on getting your computer up to speed on colour representation, you can use a calibration device to reach your display's fullest potential.

With all that said, if you think we’re way off the mark with any of the colours then, by all means let us know, and we’ll give it another shot.