Iceland is a unique and spiritual country bursting with inspiration for artists. I was lucky enough to travel there in December, 2021 with my family and on my return I built a small body of work based on this fantastic experience. In my every day practice as a pastel artist I love to paint trees, employing a distinctive bold colour palette that reflects my response to the woodlands in my local area of North London. It was quite an adjustment to paint the waterfalls and geysers of Iceland, in a country with very few trees and the ones they have are small and only make up one percent of the land area due to deforestation. Cue the overused but funny Icelandic joke:
‘What do you do if you get lost in an Icelandic Forest?’
Answer: ‘Stand up’.
For my trip, I took with me a small sketch book and pen as I thought I might be able to do some plein air sketches. The weather suggested otherwise! With it being so cold, snowy and windy, I decided to wait and paint in the warmth of my studio using lots of photos and videos of my visit. To say we took in the sights of Iceland is an understatement as we went on tours every single day, and one day even did two so that we could see the Northern Lights.
In the end I decided to do paintings based on my visit to the waterfall at Seljalandsfoss and The Great Geysir (did you know that Geysir is the original Geyser? And is nestled in the picturesque Havkadur valley?)
As I couldn’t decide on whether to do a landscape or portrait format I look the bull by the horns and opted to do both. I had never painted a waterfall before so I started by researching how other artists tackle waterfalls before trying a mini painting on a piece of encaustic board I had been given when I did an encaustic workshop 7 years ago in Youghal, Ireland.
Mini Pastel Painting…
Feeling more prepared for the challenge ahead I decided to work on a much larger scale.Using 50 x 70cm graphite pastelmat paper I began with a sketch of the scene using a china marker pencil. Then I applied the darkest area of shadow using a dark blue unison pastel.
Mapping out the scene…
After this I started lightly adding in colour. I always apply colour very lightly in the early stages of a painting as its easy to overload the paper.
Adding colour using Nupastels and Unison Soft Pastels
I then added more colour and some interesting mark making to start to bring the painting to life.
Adding more colour and mark making using Unison Soft Pastels
I continued to add more colour and marks until finally I stopped and stood back and really examined my painting. It’s very easy to get so engrossed in a painting that you stop looking at your subject, so it’s helpful to find different ways to look at it with fresh eyes. I like to take a picture of it and convert it to grey scale. This makes the lights and darks more obvious and allows me to check the tonal values with those of the original black and white photo.
Black and white photo of the painting…
Black and white photo of Seljalandsfoss…
By now the painting was starting to take shape and I was feeling really excited about it. However, the difficult part was still to come, which was the actual waterfall. This part I tried avoiding for as long as I could.
Applying a darker tone, I built up layers of colour in the water before having a light bulb moment. Why not apply clear gesso to create more texture? This created a little bit of texture but it still wasn’t enough because I wanted to create the effect of a hanging lace curtain. I therefore employed an old water colour trick: using an old tooth brush and isopropyl alcohol I dipped the brush in the alcohol and then rubbed the tooth brush along a Unison pastel before flicking the brush over the painting creating various spatters of colour. Initially I started with a Blue Violet 9 and then went lighter but avoided using a bright white. Anything I didn’t like I lifted off lightly with a bristle brush after it dried and I protected the other areas of the painting using kitchen roll. What was quite interesting was that on the landscape painting a few spatters did escape me but I kept the happy accidents as I liked the effect.
The final paintings of my wonderful trip are shown below. They are completely different to my usual landscape paintings but I really enjoyed the challenge of being outside my comfort zone. As far as future paintings are concerned I’d really love to visit this wonderful country in the summer and maybe do a residency there as I was blown away by Iceland and didn’t stop talking about my trip there for weeks!!
You can see more of my work on the following:
Website – www.dawnlimbert.com
Instagram – www.instagram.com/dawnlimbertart
Facebook – www.facebook.com/dawnlimbertsart