Watercolour, Black Chinagraph Pencil & Soft Pastels
I would like to introduce you to a mixed medium work using chinagraph pencils, watercolour and finally Unison Colour pastels.
Delve into our vast collection of guest blogs and read about the intriguing methods that artists apply while using Unison Colour pastels.
I would like to introduce you to a mixed medium work using chinagraph pencils, watercolour and finally Unison Colour pastels.
While some may have curio cabinets filled with nick-nacks, I have rocks. Smooth rocks, rough rocks, satiny, shiny, sparkly, large rocks, small rocks, really, really small rocks, if it is a rock, I am intrigued by it.
For the last 4 years I’ve been taking part in Hampshire Open Studios. It’s a yearly event where Artists from across the County open up their Studio to the public over a period of 10 days.
How many times do we excuse our lack of creativity by using the phrase, I just don’t have the time”? I use the term “excuse” lightly as, in our busy lives, it is a very relevant reason for not drawing or painting.
I have been invited to join you in writing a series of blogs/articles about my use of these colours. I will start with a basic foundation that may help those beginning.
Paper is a fantastic medium to work on soft pastels, but selecting the one that’s perfect for you can be a challenge, as there’s plenty to choose from. Whether you choose your paper from availability, price or quality, whether you are an amateur or a professional, it boils down to what works best for you.
Whether we are born with an innate artistic talent, or, whether it is learned, is an age-old multifaceted debate that is fascinating, complex and compelling. I am sure most artists have considered it at some point or have an opinion on this theory.
Over the years, I have learned that there are infinite ways in which pastels can be manipulated as a drawing and painting medium. Examples range
Back in November, I had a call from Unison Helen. “Would you be happy to go to Jackson’s Art HQ and talk about our pastels?”
I liked the idea of the natural earth pigments because they are made of earth. I imagine that humans have been using these same colours for thousands of years.
For many years, I was caught up in other artistic pursuits — calligraphy, basketry on intricately painted gourds, drafting and design work. But, one day, in the way of all good mysteries and life-changing events, I came across a small box of pastel sticks.
My father brought home willow charcoal and white conté chalk, grey textured paper, and the wonderful book ‘How to Draw Horses’ by Walter T Foster. I followed every word of that book.
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For trade enquiries, please contact us as below:
liz@unisoncolour.com or call Liz on +44 (0)1434 240203 Option 1