A Kitchen Tool and Pastels?

Over the years, I have learned that there are infinite ways in which pastels can be manipulated as a drawing and painting medium.  Examples range from various mark making styles, using it in dry or liquefied form, employing a mixed medium approach, to countless varieties of blending, erasing, molding, shaping, stamping, scraping, scratching, and dusting techniques. 

With my passion for pushing the medium, I enthusiastically approach each new experience to see what surprises might develop.  Many of these surprises I, figuratively, tuck into my toolbox for future endeavors, waiting for that perfect match between subject matter and painting technique.

But one tool has turned into my best friend when working with pastels.  And surprisingly, it is a kitchen tool.  The humble wooden skewer.  This inexpensive little reed of wood ultimately gets used in nearly every one of my paintings, but in many different ways. 

Tracey using the tool with one of her pastel paintings.

If I need to blend to make an element recede, such as distant water, I will use the skewer rather than using a brush (which may remove pastel) or a finger (which may over blend and muddy the colors). Gently moving the skewer in the direction of the pastel marks softly blends the colors in a more controlled manner.  Similarly, if I want to create a soft transition from one color to another, such as in the fur of an animal, the skewer will drag one color into another, softening overly distinct marks.

The skewer manipulates edges well, softening the edge of an apple as it recedes, or sharpening an edge by pushing back the background.  It can be used to thin down lines, such as electrical lines, animal whiskers or lettering.  And it is handy for cleaning up an edge when pastel has ended up where you did not really intend. 

A Kitchen Tool and Pastels? 1

In “Architectural Artistry” my trusty skewer was used to clean up some errant marks.  But I also used it to carve through layers of pastel to reveal earlier layers of pastel and underpainting colors.

Close up of the detailed work in Tracey's architectural pastel painting.

They are easily cleaned by wiping them with a wet paper towel and if it needs to be resharpened, an emery board or sandpaper does the trick. 

Inevitably, when one of my students has a question about how to fix something in their painting, one of the most frequently asked question is “Do you have your skewer?” 

Artistic Talent – Nurture vs Nature?

Whether we are born with an innate artistic talent, or, whether it is learned, is an age-old multifaceted debate that is fascinating, complex and compelling. I am sure most artists have considered it at some point or have an opinion on this theory.

NEW Contrast 8 Soft Pastel Set

A handy set of 8 Unison Colour Soft pastels that enables you never to be without those key light and darks such as Grey 28 and CB1.

Natural Earths

I liked the idea of the natural earth pigments because they are made of earth. I imagine that humans have been using these same colours for thousands of years.

Robert Dutton Soft Pastel and Book Giveaway

Following the recent launch of Associate Artist Robert Dutton’s book, Drawing Dramatic Landscapes, we’re giving away 3 of Robert’s Moorland 36 Soft Pastel Sets, and 5 copies of his book.

Associate Artist Recruitment

Are you a pastel artist? Do you use Unison Colour pastels? Would you like to be part of our Associate Artist family?

If you enjoyed reading this…

Please consider subscribing to our mailing list to receive updates about our Associate Artists, and any other Unison Colour news, and exclusive offers.

Use the buttons below to help spread the word.

5 Responses

  1. As always your blogs are invaluable ,this one was particularly useful
    Thank you Tracey Maras

  2. Thank you Tracey, that was interesting, particularly its use for carving through layers.
    I call my thin willow charcoal my trusty charcoal stick (used for my initial sketch) so I can relate to the term of endearment.

  3. Thanks Tracey,

    I use the stick on my rose painting. What a difference. I will look at your website.

  4. Tracy that is really good to know about using a wooden skewer I shall give it a go on my next animal pastel drawing.

Leave a Reply

Your email address will not be published.

Latest Blog Posts

Artistic Talent – Nurture vs Nature?

Whether we are born with an innate artistic talent, or, whether it is learned, is an age-old multifaceted debate that is fascinating, complex and compelling. I am sure most artists have considered it at some point or have an opinion on this theory.

A Kitchen Tool and Pastels?

Over the years, I have learned that there are infinite ways in which pastels can be manipulated as a drawing and painting medium.  Examples range

0
COVID 19 INFO

Please note that during this period, we can’t allow visits to our premises.

Customer Enquiries

Got a question?

Please don’t hesitate to send us any questions, and we’ll get back to you ASAP.
If you’d rather send us an email, please get in touch at:

Or give us a call on +44 (0)1434 240203 and choose option 1, for Liz.

Trade Enquiries

For trade enquiries, please contact us as below:

UK

liz@unisoncolour.com or call Liz on +44 (0)1434 240203 Option 1

China and Russia
Europe
North America
ROW (Exc. China and Russia)

login