Exploratory Sketches

Do you work from photos or from life? This is not an either/or question. There are pros and cons to either approach and I prefer the best of both worlds. While I may use photos for inspiration, there are many benefits that can be derived from the use of exploratory sketches en plein air.

“Dust” was inspired by a drive-thru (or park but stay in your vehicle) animal sanctuary. The bison herd lounged in the heat of midday, ate from nearby grasses, walked about with youngsters following closely behind and large bulls kicked up clouds of dust. I spent about ½ hour taking photos and making sketches of a herd of bison.

With the harsh overhead lighting, I knew the camera would wash out the light colors and I would lose details in the shadows.

Exploratory Sketches 1
Dust reference photo

So I made sure to capture color notes along with the sketches of anatomical details and movement.

Click to enlarge

This type of environment was not conducive to painting en plein air. But any information that I could gather beyond a photo would enhance the painting process.

Back in my studio and working from the photo as inspiration, I created a thumbnail design of the scene that I envisioned. This included removing background elements to simplify the scene, adding a sense of wind and moving the light source to the left to allow for shadow patterns against which I could incorporate a swirl of dust.

A pastel painting of a bison on a dusty plain

Whether the subject is a landscape, animal, still life or portrait, supplementing reference photos with sketches and color notes from life can offer many advantages. Sketching strengthens one’s drawing and drafting skills. Observing from real life improves abilities to distinguish subtleties in values, hues and color temperature. It helps fill in the blanks left by photos and can lead to a much stronger painting.

It’s not about “either/or.” It’s about making the best use of the tools that we have available.

You can visit Tracey’s website at www.traceymaras.com.

A Kitchen Tool and Pastels?

Over the years, I have learned that there are infinite ways in which pastels can be manipulated as a drawing and painting medium.  Examples range

The Plan is Subject to Change

I am a planner (and not ashamed to admit it).  While I may spend time sketching for fun, when beginning a new painting, I always have a plan.

Announcing More New Associate Artists

We can now announce our second group of new Associate Artists to Unison Colour. Our Associate Artists perform a fantastic role for Unison Colour and we are proud to welcome the following people…

A raccoon takes a sip from a stream

What If? Part II

“What if?” can lead to a stronger painting. We hear it all the time… “Just because it is in the photo doesn’t mean we have to paint it that way.”

What if?

Isn’t it exciting when you stumble onto something that is totally new?  That is what happened when a colleague and I were developing a series of workshops on creative underpaintings for pastel.  While experimenting and asking “what if?” the technique of “Floating Pastel” was created.

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5 Responses

  1. Thank you Unison for putting artist on this website. Even if you learn one tip they all add up. I love your pastels, wish I could find the right paper.

    1. Pamela – Regarding finding the right paper, it all depends on what you are trying to achieve. There are pros and cons to all of the different types of paper. Some are more economical, but may not hold much pastel or be as versatile. Pastel papers that have a “grit” surface will tend to be more expensive but they are more durable and versatile. Commonly, the grit/sanded papers may not be available locally to an artist, requiring that they be ordered. One of the best ways to find a paper that you like is to purchase a Sampler Set of papers. These typically are available through art supply companies that carry pastel materials.

    2. Hi Pamela, so you could take pastelmat of Clairefontaine, it is a sanded paper (if you like, look at Youtube / Marla Baggetta, she is a pastellist, shows a lot of Demos in pastel; and I got the hint from he)r. And from Tobi Clement, US-PastelJournal 7-8/2020 : She tested several sanded papers and this one kept the most pastel layers.

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