Delve into our vast collection of guest blogs and read about the intriguing methods that artists apply while using Unison Colour pastels.
For the last 4 years I’ve been taking part in Hampshire Open Studios. It’s a yearly event where Artists from across the County open up their Studio to the public over a period of 10 days.
How many times do we excuse our lack of creativity by using the phrase, I just don’t have the time”? I use the term “excuse” lightly as, in our busy lives, it is a very relevant reason for not drawing or painting.
I have been invited to join you in writing a series of blogs/articles about my use of these colours. I will start with a basic foundation that may help those beginning.
Paper is a fantastic medium to work on soft pastels, but selecting the one that’s perfect for you can be a challenge, as there’s plenty to choose from. Whether you choose your paper from availability, price or quality, whether you are an amateur or a professional, it boils down to what works best for you.
Whether we are born with an innate artistic talent, or, whether it is learned, is an age-old multifaceted debate that is fascinating, complex and compelling. I am sure most artists have considered it at some point or have an opinion on this theory.
Over the years, I have learned that there are infinite ways in which pastels can be manipulated as a drawing and painting medium. Examples range
Back in November, I had a call from Unison Helen. “Would you be happy to go to Jackson’s Art HQ and talk about our pastels?”
I liked the idea of the natural earth pigments because they are made of earth. I imagine that humans have been using these same colours for thousands of years.
For many years, I was caught up in other artistic pursuits — calligraphy, basketry on intricately painted gourds, drafting and design work. But, one day, in the way of all good mysteries and life-changing events, I came across a small box of pastel sticks.
My father brought home willow charcoal and white conté chalk, grey textured paper, and the wonderful book ‘How to Draw Horses’ by Walter T Foster. I followed every word of that book.
Creative expression with Unison Colour black, white and grey toned pastels.
Making the jump to become a professional artist just over 5 years ago never in my wildest dreams could I ever have thought so much would happen in such a relatively short period of time.
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